surrealism, ambiguity, estrangement, cognitive poetics, structuralism, formalism, neo-surrealism, le fantastique, literary translation, poetry in translation, comparative literature, parallels, Brodsky, Nabokov, Russian-American literature, self-translation
Comparative Literature, Philosophy of Literature, Visual Literacy, Literary Translation, World Literature, Cognitive Poetics, Arabic Literature and Culture, New England Poets, Conceptual Thought, Metaphors for Reading, Ethics of Reading, Book History, Calligraphy
…sterdam and London: John Benjamins. Forthcoming.
2015. Authorial presence in poetry: Some cognitive reappraisals. Poetics Today 36.3: 201-231.
2014. Cognitive complexities in poetic art: Matthew Arnold’s “The Last Word.” Cognitive Semiotics CSN 2376820
2013. Cognitive poetics. In Michael Burke, ed. The Routledge Handbook of Stylistics, 313-328. New York and London: Routledge.
2013. Natural surroundings. In Eliza Richards, ed. Emily Dickinson in Context, 56-66. Cambridge: Cambridge University Press.
2013. The influence of anxiety: poetry as a theory …
Margaret H. Freeman is Professor Emerita, Los Angeles Valley College, and co-director of Myrifield Institute for Cognition and the Arts (myrifield.org). She was a founding member and first president (1988-1992) of the Emily Dickinson International Society and moderates the monthly meetings of the Emily Dickinson Reading Circle at Myrifield in Heath, MA. She is a co-editor of the Oxford University Press series in Cognition and Poetics. Her research interests include cognitive poetics, aesthetics, linguistics, and literature. A list of her scholarly publications may be found at http://margarethfreeman.wordpress.com/publications/.
My research interests are: sensory representations in literature; musical ekphrasis; Literary theory; Cognitive poetics; Modern Hebrew literature; aesthetics.
My PhD thesis was about sensory representations and their significance in the prose of Hebrew writer Shulamith Hareven. Recently I co-authored an article on representations of music in fiction with musicologist Prof. Naphtali Wagner of the Hebrew University.
I work primarily in early modern English poetry and non-dramatic prose, with a focus on Reformation politics and poetics; my Master’s thesis is on Donne’s first Satyre as prosopopoeia. My dissertation is titled _Making a Solemn Note: The Music and Meter of English Reformation Psalms_.Current (and ongoing) interests include the lyric poetry of Sidney and Donne, music in Milton, family dynamics in Shakespeare, Spenser’s shorter works and letters, and the science of cognitive poetics. My spare time is occupied by my beagle, Boswell, culinary debacles, penning a DIY column for thehairpin.com, and my violin.BM, Violin Performance, Florida State University (2005); MA, English and Comparative Literature, Columbia (2007); PhD, English Literature, University of Pennsylvania (2014).
Medieval French and Modern Spanish and Latin American literature, medieval music theory and poetics, poetics of the French Renaissance, cognitive narratology, linguistic approaches to literature
Trained in 20th-centure American Lit with forays into 18th-C Brits, psychological approaches, poetics, and lit theory (decon., hermeneutics, and Frankfurt-school critical studies), I’ve evolved toward ecocriticism with a perspective I’m calling biopragmatism. Concerned to develop a robust poetics for the present century (and the long haul) I work the intersection of several disciplines and ideas: cognitive studies, especially linguistics; ecology, evolution, and other environmental models and disciplines; the canonical American pragmatists (especially Peirce and Dewey) and their present-day interpreters, and contemplative discipline (e.g. Zen). I think this nexus of theory and praxis offers us a better framework for studying art and culture, and a much better rhetorical presence as a discipline among other disciplines, than poststructuralism and/or the cultural studies hegemony presently do. I also write poems.
Alison Gibbons is Reader in Contemporary Stylistics at Sheffield Hallam University, UK. She is the author of Multimodality, Cognition, and Experimental Literature (Routledge, 2012), and co-editor of Mark Z. Danielewski (Manchester University Press, 2011), the Routledge Companion to Experimental Literature (Routledge 2012), Metamodernism: Historicity, Affect, and Depth after Postmodernism (Rowman & Littlefield, 2017) and Pronouns in Literature: Positions and Perspectives in Language (Palgrave Macmillan, 2018). She has also published widely in international peer-reviewed journals, including: Ariel, Contemporary Literature, Metaphor in the Social World, Narrative, and Textual Practice. Her research consistently takes a stylistic approach to innovative contemporary narratives, including empirical reception research, and is currently focused on metamodernism, autofiction, and Arab Spring fiction.
I’m associate professor of English Language and Linguistics at the University of Nordland in Bodø, Norway. For many years I taught general (theoretical) and English linguistics at the University of Tromsø, where I was an associate of CASTL (Center for Advanced Study in Theoretical Linguistics). The focus of my research has been phonology (language sound structure), especially how phonological knowledge interacts with other cognitive systems that subserve language, including the lexicon and syntax. More recently I’ve turned to the ways in which the categories and structures of language presuppose and are influenced by interaction with the physical and social environment, as well as how language, understood as a discrete combinatorial system, shapes the human lifeworld. My latest project applies linguistics to understanding poetic effects.