The study of ancient Greek and Roman in their presence and influence on post-classical times and places, not least in the West.
early modern studies, English and continental; gender and authorship; the classical tradition
Greek and Roman Drama and Theater; Aeschylus; Euripides and the Trojan War; Vergil; The Classical Tradition in Literature and the Arts; German Classicism (Goethe, Schiller, Kleist); Philosophy and Literature
• Literary theory (ancient and modern), esp. theory of poetic language
• Greek and Latin poetry
• Greek-German comparative studies
• Politics and poetics of cultural identity
• Classical reception studies and the classical tradition
• History of sexualities, queer and gender studieshttp://www.ccc.ox.ac.uk/Dr-S-Matzner/
Marcel Proust, French Modernism, Classics, Ovid, Ovidian Tradition, Homer
As Head of KU Leuven Libraries Artes, I am responsible for collections and services for the Arts and Humanities. As a member of the management team with primary responsibilities for research, I also contribute to the strategic development and operational management of KU Leuven Libraries as a whole. In this context, I particularly focus on scholarly communication, open science and digital scholarship. I was trained as a (Neo-)Latinist, focusing on Renaissance humanism in the Low Countries and England, the classical tradition, and the history of the book. Ever since I became a librarian my research and teaching have centered around the role of academic libraries in scholarly communication, open science and digital scholarship within the humanities. I am a strong believer in Fair Open Access and serve on the editorial board of the Open Library of Humanities and the Journal of Librarianship and Scholarly Communication.
I am an associate professor of Spanish and Catalan specializing in the literature of the Middle Ages and the Renaissance. My research interests include textual scholarship, cultural history, translation, and the digital humanities. I am the author of Printing Ausiàs March and coauthor of The Classical Tradition in Medieval Catalan. I have edited essay collections on Catalan literature and translation, digital archives and medieval Iberian texts, and the materiality of early modern poetry. My current work includes a critical edition and translation of Giovanni Boccaccio’s geographical dictionary De montibus (in collaboration with Michael Papio), studies of space in lyric poetry, the history of medieval Catalan literature, and the printing of chivalric romance Tirant lo Blanc. I serve as the managing editor of Digital Philology.
Since 2014, I have served as director of the Office of Programs and director of the Association of Departments of Foreign Languages at MLA. For the Office of Programs I oversee projects relating to the profession, such as departmental reviews, the ongoing examination of faculty rights and responsibilities, monitoring educational and curricular changes, and the development of statements of best practices. As director of ADFL, I oversee the Language Consultancy Service, the MLA Language Map, the language enrollment database, survey, and report, and other projects focused on languages other than English. From 1986 to 2013, I taught Italian at the University of Pittsburgh, with secondary appointments in classics and philosophy. I was chair of the Department of French and Italian for eleven years and assistant dean of the humanities for three years at Pitt. Publications include Compromising the Classics: Romance Epic Narrative in the Italian Renaissance (1996), which received honorable mention in the 1996–97 joint Howard R. Marraro Prize and Scaglione Award in Italian Studies from the MLA, and Freedom Readers: The African American Reception of Dante Alighieri and the Divine Comedy (2011), which received the American Association of Italian Studies Book Prize (general category) in 2011. With D. Mark Possanza, I am co-editor and translator of Ludovico Ariosto’s Latin Poetry, I Tatti Renaissance Library, Harvard University Press (2018). Some key research interests: Renaissance Studies; comparative literature; reception of the classical tradition; vernacular classicism; history of the book; Italian; Latin; Greek; Medievalisms; Dante; Divine Comedy; Matteo Maria Boiardo; Ludovico Ariosto; Torquato Tasso; romance/epic; Neo-Latin poetry; Herodotus.
My teaching and research focus on early modern literature, queer theory, the history of sexuality, poetry, and the classical tradition. My book, Friendship and Queer Theory in the Renaissance, has recently been published by Routledge. Take a look here:http://www.routledge.com/books/details/9780415713221/or here:http://www.amazon.com/Friendship-Queer-Theory-Renaissance-Literature/dp/0415713226/ref=sr_1_3?ie=UTF8&qid=1376413043&sr=8-3&keywords=friendship+and+queerI have a forthcoming book, Glass (Bloomsbury, 2015), that examines relations between contemporary SF and depictions of glass in early modern poetry. I also am co-editing a collection on memory and eroticism in Shakespeare’s England.
Clark Ashton Smith—unlike the more famous H.P. Lovecraft—engaged with the medieval as a setting for his fiction. Lovecraft admired classical Roman civilization and the eighteenth century, but had little time for medieval themes. As Brantley Bryant has related, Lovecraft wrote contemptuously that the Middle Ages was a period that “snivel[ed] along after real civilization faded.”2 Smith, however, has a more complex and curious relationship with the medieval. It is not necessary to admire the Middle Ages to be preoccupied by it—Ernst Robert Curtius devoted a great deal of his scholarly life to studying a period that he considered derivative, its achievements reflections of a superior Classical tradition.3 Lovecraft actively vilified the medieval, but Smith basked in its literary poetics and textures while being indifferent to historicism. In this essay, I explore a medieval world created with a fleshed-out topography and fully-formed cultural context serving as a backdrop for bizarre and hideous themes of weird fiction in the face of human insignificance.