Adjunct Lecturer in English at City College of New York, Legal Assistant in the Office of Legal Affairs and Labor Relations at Baruch College. Expected to graduate Master of Arts in Digital Humanities at The Graduate Center – CUNY in May 2020.
Charlotte Lucy Latham is completing her dissertation on experimental writings about art, from museum verbiage to art criticism to literary ekphrases, at the CUNY Graduate Center in the Comparative Literature Department. She has taught at the School for Visual Arts, CUNY City College, CUNY Baruch and New York University.
contemporary American poetry, 19th and 20th century literatures, feminist theory, queer theory, gender studies, 20th century feminist and queer visual cultures
Antonio Baldassarre holds a PhD from the University of Zurich and was Research Fellow at the Research Center for Music Iconography (The Graduate Center of The City University of New York) and Director of the youth music school “Pfannenstil”. His professional teaching positions have included Lecturer and Guest Professor for musicology, ethnomusicology and music theory at the universities of Basel and Zurich, the Department of Musicology, Faculty of Music, University of Arts in Belgrade, the Escuela Nacional de Música of the Universidad Nacional Autónoma de México and the University of Music and Performing Arts Vienna. Since 2011 he has been Director of Research and Development of Lucerne University of Applied Sciences and Arts, Department of Music.
…Ph.D. City University of New York Graduate Center…
African American literature, geography, Caribbean studies, American literature, 18th and 19th century American literature
Kalle Westerling is a Ph.D. Candidate in Theatre and Performance and a Futures Initiative Graduate Fellow at the Graduate Center, CUNY, and Director of HASTAC Scholars, a vibrant student network within The Humanities, Arts, Science, and Technology Alliance and Collaboratory (HASTAC). Currently, he is completing his dissertation on the history and aesthetics of male-identified bodies in 20th-century burlesque and 21st-century boylesque, “The Roots and Routes of Boylesque: Queering Male Striptease and Burlesque in New York City from 1930s Golden Age Burlesque to the New York Boylesque Festival in the 2010s.” His monograph, La Dolce Vita (Normal 2006) treats the history of the Swedish drag company After Dark. He regularly delivers scholarly papers at the annual conferences for the American Society for Theatre Researchers (ASTR) and the Association for Theatre in Higher Education (ATHE). Recently, his performance-related theatre work has included an English translation and dramaturgy of August Strindberg’s The Pelican for the Voyage Theatre Company’s 2016 production in New York City. In 2017, he will also dramaturge Parts Unknown—their reading series of newly written drama. Kalle has taught courses at Villanova University, New York University, Baruch College, Hunter College, and Stockholm University, and has guest lectured at Yale University, The New School, Carleton University, and Stockholm Academy of Dramatic Arts. He regularly presents on the topics of queer and LGBT studies, the digital humanities, the public humanities, and on how to leverage digital technology for effective pedagogy. As part of his service to the academic profession, Kalle frequently blogs and employs social media to connect others and build communities. He has organized many conferences, including contributions to HASTAC’s annual international conferences in 2015 and 2016, and the After Marriage Conference in New York City. Kalle has also held board appointments with CLAGS: Center for LGBTQ Studies (Chair of Programming), the open-source publishing platform OpenCUNY, and the CUNY Doctoral Theatre Students’ Association.