I am currently a Postdoctoral Research Associate at the Council on East Asian Studies of Yale University. My research focuses on cross-status socioeconomic networks based on documentary forgery production during Japan’s late medieval era, particularly the late fifteenth and sixteenth centuries. I am also interested in digital humanities and the use of digital tools to analyze premodern historical sources.
Jun Okada is Associate Professor of English and Coordinator of the Film Studies Minor at State University of New York, Geneseo. Her research centers on Asian American film and video, as well as global art cinema and film culture. She published Making Asian American Film and Video: History, Institutions, Movements, with Rutgers University Press in March 2015.
My research interests cover documentary, descriptive, theoretical, historical and applied linguistics. I have extensive fieldwork experience since 1972 on Australian Aboriginal languages (northern New South Wales, northern South Australia, and north-west Western Australia) and co-authored with David Nathan the first fully page-formatted hypertext dictionary on the World Wide Web, a bilingual dictionary of Gamilaraay (Kamilaroi), northern New South Wales, as well as publishing seven bilingual dictionaries of Aboriginal languages. Since 2011 I have been working with the Dieri Aboriginal Corporation on revitalisation of the Dieri language spoken in South Australia (see Dieri WordPress). Since 1995 I have been carrying out research on Sasak and Samawa, Austronesian languages spoken on Lombok and Sumbawa islands, eastern Indonesia, in collaboration with colleagues at Mataram University and Frankfurt University. My theoretical research is mainly on syntax and focuses on Lexical Functional Grammar, morpho-syntactic typology, computer-aided lexicography and multi-media for endangered languages. I have also published on historical and comparative linguistics, typology, and Aboriginal history and biography. I am currently working with Dr Julia Sallabank and with colleagues at University of Warsaw and Leiden University on an EU Horizon2020 Twinning project called Engaged Humanities, and with Professor Stefanie Pillai, University of Malaya, on a British Academy-funded collaborative research project in Malaysia.
I am a historian of the British imperial world, focusing on the experiences of colonised peoples in South Asia and Australia.
Dr. John Wei is Senior Lecturer at Media Design School, New Zealand, where he has been lecturing and supervising students in Art and Design as well as Creative Technologies. Previously he held multiple teaching and research roles at the University of Melbourne, the University of Auckland, and the University of Canterbury. His research examines social practices and cultural productions of gender and sexuality through global media, film, and urban screen cultures. He has published on film and psychoanalysis, cross-cultural online fandom, and transnational digital filmmaking and social media. He is the author of Queer Chinese Cultures and Mobilities: Kinship, Migration, and Middle Classes (forthcoming, Hong Kong University Press).
South Asia; South Asian diaspora; History and Public Memory; Nationalism and Masculinity; 1985 Air India bombings; Bollywood
I specialize in Yogacara Buddhism and Buddhist logic in Japan and East Asia. I also study Digital Humanities in the field of East Asian studies and Japanese history.
Joel Neville Anderson is a PhD Candidate in Visual and Cultural Studies at the University of Rochester, where he received the Dean’s Dissertation Fellowship. His research is focused on the institutional mediation of personal documentary in the neoliberal era, working in experimental film and video, community media, environmental justice, film festival studies, and Japanese cinema. Anderson’s writing has appeared in scholarly journals, anthologies, and magazines including Millennium Film Journal, Studies in Documentary Film, International Feminist Journal of Politics, Afterimage: The Journal of Media Arts and Cultural Criticism, Hyperallergic, Senses of Cinema, and Film on the Faultline. He has taught theory, history, and production courses at the New School, SUNY Purchase College, and the University of Rochester, as well as workshops at the Museum of the Moving Image, Jacob Burns Film Center, and Downtown Community Television Center. He curates JAPAN CUTS: Festival of New Japanese Film, the largest festival of contemporary Japanese cinema in North America at Japan Society, New York since 2013, and formerly programmed the avant-garde film series On Film in Rochester. He produces the Society for Cinema and Media Studies podcast Aca-Media, and previously served as managing editor and editorial board member of InVisible Culture: An Electronic Journal for Visual Culture. He is based in Jamaica, Queens.