I’m interested in poetry — 21st-century poetry, most especially — global english, environmentalism and ecopoetics, and life after theory.
20th and 21st century poetry and poetics; the elegy; neoformalist criticism; epigraphs and allusions; literary responses to and representations of disaster.
Poetry, 20th & 21st century poetry and literature, Ethnic American literature, Chican@/Latin@ culture and literature, poetry writing, performance theory, representations of the working class
A poet, scholar, and book artist interested in textual materiality across writing platforms. My focus is on 20th and 21st-century Poetry and Poetics at the intersection of print and digital media.
With specializations in U.S. literature, particularly poetry and fiction in the 20th and 21st centuries, and in lyric poetry (history and poetics) from Old English to the global present.
I am an Assistant Professor in the Department of English at the University of Colorado at Boulder. I write on and teach digital literature, history of computing, media theory, and experimental American and Canadian poetry from the 20th and 21st century. I also direct the Media Archaeology Lab.
20th and 21st century Latin American (including Brazil) and Iberian literature and film. Catalan literature and film. Media and cultural studies. Modernism(s). Avant-garde and neo-avant-garde poetry. Electronic literature and new media arts (digital poetry, hypertext, blog-narratives, locative fiction, cyberculture). Documentary and experimental film. The intersection between technology and disability studies. Word and Image relations. Luso-Hispanic transatlantic connections. Intersections between engineering and culture (science and technology studies),
Research 20th-21st Century Latin American Narrative, Modern and Contemporary Mexican NovelInterests Mexican modernity; representations of urban space in the Latin American novel; the novel as social mapping; formation and preservation of collective memory after traumatic historical moments (i.e. Tlatelolco in Mexico and Southern Cone dictatorships); cognitive approaches to individual and shared memory; (dys)functions of memorials and museums; narratives on class, gender, and migration; religious syncretism; poetry (as performance).
Dr. McMahon is an Associate Professor of Spanish at Seton Hill University. She received her Ph.D. in Spanish Literature in 2006 from the University of California, Irvine, and she also holds an M.A. in Curriculum and Instruction, an M.A. in English Literature, and an M.A. in the Teaching of Languages. Research interests include 20th and 21st Century Spanish Literature, Poetry, and Immigration. Her most recent book is titled Cultural Encounters in Contemporary Spain: The Poetry of Clara Janés (Bucknell 2010), and she has also published articles in Hispania, Anales de la Literatura Española Contemporánea, Letras Femeninas, and Studies in 20th and 21st Century Literature and Culture. She has co-edited a volume entitled African Immigration in Contemporary Spanish Texts which will be published by Ashgate Press in 2015, and she is currently working on a manuscript about contemporary Spanish poetry written by Saharaui immigrants in Spain.She loves to travel and has lived in, traveled to, or taken students on trips to the following places: Spain, Mexico, Nicaragua, Guatemala, Costa Rica, Puerto Rico, Morocco, India, Japan, Taiwan, Hong Kong, China, and Germany.She is also living proof that it is never too late to learn a language! She did not begin studying Spanish until after graduating from college (she was an English Education Major), so she often tells students that her experience is proof that non-native speakers, even those beyond college age, can become experts in a foreign language.
My research focuses on politics, aesthetics, and identity construction and representation as articulated through avant-garde poetics and 20th/21st century Anglophone Black diasporic literature and culture, especially poetry. I am especially interested in the intersection of politics and aesthetics in literature, and the ways in which avant-garde poetics disrupt preconceived notions of Blackness (and personhood) while constructing an open nature to the signs placed upon the (black) body. My most recent project, “Iterations of Identity: Black Diasporic Poetics and the Politics of Form,” positions these interests in a comparative aesthetic perspective, with a focus on examining avant-garde poetics through a primary lens of close-reading and aesthetics, including a study of the politics of aesthetics as dictated by neo-colonialism in West-Africa and the Caribbean, and racialized climates constructed by the global white gaze.